"Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne)" by Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek was released on 1995. The duration of Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 117 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne) by Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Beethoven: Fidelio, Op. 72: Overture | Ludwig van Beethoven, Sir Simon Rattle, Berliner Philharmoniker | E Major | 1 | 12B | 119 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
Requiem: IId. Liber scriptus | Giuseppe Verdi, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 71 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Apollon Musagète (1947 Version) / Second Tableau: Coda (Apollon et les Muses) Vivo - Tempo sostenuto - Agitato | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
III. Quis est homo (Duet) | Gioachino Rossini, Howard Arman | E Major | 1 | 12B | 78 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM |