Carl Friedrich Abel, Hille Perl's 'Adagio and Allegro in D minor' came out on October 22, 2012. Since Adagio and Allegro in D minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Telemann/Pfeiffer/Graun: Concerti". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Adagio and Allegro in D minor is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio and Allegro in D minor by Carl Friedrich Abel, Hille Perl having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Es gingen zweene Menschen, SWV 444 | Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM | ||
Italian Madrigals, Op. 1: No. 1, O primavera, SWV 1 | Heinrich Schütz, Jan Kobow, Tobias Mathger, Felix Rumpf, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 1 | 6A | 116 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Trio Sonata in G Major, Op. 3 No. 1, WK 80 (Arr. for 2 Violins & Basso continuo): I. Vivace | Carl Friedrich Abel, London Baroque | F♯ Major | 2 | 2B | 126 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Sonata for Lute No. 8 in A Major: II. Allemande | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 96 BPM |