Ton Koopman's 'Toccata, Adagio Und Fuge In C-dur, Bwv 564: Fuge' came out on June 1, 1990. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke V" album is number 3 out of 17. On top of that, Switzerland appears to be the country where this track was created. Toccata, Adagio Und Fuge In C-dur, Bwv 564: Fuge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Toccata, Adagio Und Fuge In C-dur, Bwv 564: Fuge by Ton Koopman to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D, BWV 243: Quia respexit (soprano 1/Oboe) | Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music | B♭ Minor | 0 | 3A | 123 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Simon Preston, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 98 BPM | ||
Kyrie, R. 587: 3. Adagio - Allegro: Kyrie eleison | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Dich rühmen die Welten, TVWV 1:329: VI. 06 6. Choral: Mitten wir im Leben sind | Georg Philipp Telemann, Solomon's Knot, Jonathan Sells, Les Passions de l’Âme, Meret Lüthi | B♭ Minor | 1 | 3A | 178 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Benedictus | Nicol Matt, Reinhard Geller, Chrisof Fischesser, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Barbara Werner, Petra Labitzke, Wolfgang Amadeus Mozart, Daniel Sans, Jens Wollenschläger | G Major | 1 | 9B | 113 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 0 | 3A | 82 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM |