William Chapman Nyaho's 'Three Jamaican Dances: No. 2' came out on August 28, 2003. The duration of Three Jamaican Dances: No. 2 is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Three Jamaican Dances: No. 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Senku - Piano Music by Composers of African Descent". In this album, this song's track order is #5. In terms of popularity, Three Jamaican Dances: No. 2 is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Three Jamaican Dances: No. 2 by William Chapman Nyaho having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Igor Levit | A♭ Major | 0 | 4B | 63 BPM | ||
Epicycles for Piano Four-Hands: II. Interlude: Adagio religioso | Stella Sung, William Chapman Nyaho, Susanna Garcia | A Minor | 4 | 8A | 79 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Danzas Argentinas: No. 2, Danza de la moza donosa - Arr. for Harp | Alberto Ginastera, Marie-Pierre Langlamet | E Minor | 0 | 9A | 94 BPM | ||
Douze Préludes, Op. 36: No. 10, Sur une tombe | Louis Vierne, Laurent Wagschal | F♯ Minor | 1 | 11A | 94 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 84 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | D Major | 1 | 10B | 64 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM |