"Douze Préludes, Op. 36: No. 10, Sur une tombe" by Louis Vierne, Laurent Wagschal was released on September 16, 2022. The duration of Douze Préludes, Op. 36: No. 10, Sur une tombe is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Douze Préludes, Op. 36: No. 10, Sur une tombe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Préludes". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Douze Préludes, Op. 36: No. 10, Sur une tombe is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Douze Préludes, Op. 36: No. 10, Sur une tombe by Louis Vierne, Laurent Wagschal having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
D'un Jardin Clair | Lili Boulanger, Daria van den Bercken | B Major | 0 | 1B | 72 BPM | ||
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Mazurka In F Minor, Op. Posth. 68: No. 4 Andantino | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 72 BPM | ||
Vierne: Messe solennelle, Op. 16: Agnus Dei | Louis Vierne, Marie-Claire Alain, André Luy, Ensemble Vocal de Lausanne, Michel Corboz | A♭ Major | 0 | 4B | 74 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) | Anton Rubinstein, Raphaela Gromes, Julian Riem | B Major | 1 | 1B | 102 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM |