"The Sleeping Beauty, Op. 66, TH 13 / Act 2: 12. Scène - Danse des duchesses - Danse des baronnes - Danse des comtesses - Danse des marquises" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti was released on January 1, 1981. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #17. Based on our statistics, The Sleeping Beauty, Op. 66, TH 13 / Act 2: 12. Scène - Danse des duchesses - Danse des baronnes - Danse des comtesses - Danse des marquises's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op. 66, TH 13 / Act 2: 12. Scène - Danse des duchesses - Danse des baronnes - Danse des comtesses - Danse des marquises by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a テンポ of 155 with a half-time of 78 テンポ and a double-time of 310 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 87 BPM | ||
Cinderella - Revised and edited by Douglas Gamley - Act 1: Allegro | Johann Strauss II, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 84 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): There Stands an Ancient Rock | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 60 BPM | ||
Romeo and Juliet, Op.64 - Act 3: At Friar Laurence's Cell - Interlude | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 101 BPM | ||
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | B♭ Major | 2 | 6B | 89 BPM | ||
Symphony No.5 in C minor, Op.67: 1. Allegro con brio | Ludwig van Beethoven, Concertgebouworkest, George Szell | C Minor | 3 | 5A | 93 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XI. Auf dem Gletscher | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM |