"Improvisation on "Prelude in B Minor, BWV 855a"" by Johann Sebastian Bach, Ramin Bahrami, Danilo Rea was released on June 1, 2017. Improvisation on "Prelude in B Minor, BWV 855a" is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 3 out of 11 in Bach Is In The Air by Johann Sebastian Bach, Ramin Bahrami, Danilo Rea. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Improvisation on "Prelude in B Minor, BWV 855a"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Improvisation on "Prelude in B Minor, BWV 855a" by Johann Sebastian Bach, Ramin Bahrami, Danilo Rea is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | A♭ Minor | 5 | 1A | 98 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
My Room | Cesare Picco | D Minor | 0 | 7A | 86 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) | Johann Sebastian Bach, Khatia Buniatishvili | B♭ Major | 0 | 6B | 99 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Lyric Piece in E Minor, Op. 57/6: Homesickness | Edvard Grieg, Khatia Buniatishvili | E Minor | 0 | 9A | 87 BPM |