"Fauré: Requiem, Op. 48: III. Sanctus" by Gabriel Fauré, Margaret Price, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra was released on November 28, 2005. The duration of Fauré: Requiem, Op. 48: III. Sanctus is about 3 minutes long, at 3:08. Based on our data, "Fauré: Requiem, Op. 48: III. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 13 in Faure: Requiem; Stravinsky: Symphony of Psalms by Sergiu Celibidache, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fauré: Requiem, Op. 48: III. Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: III. Sanctus by Gabriel Fauré, Margaret Price, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Fauré: Berceuse, Op. 16 (Version for Violin and Harp) | Gabriel Fauré, Markus Klinko, Frédéric Laroque | D Major | 0 | 10B | 137 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
24 Preludes, Op. 28: No. 15 in D Flat Major. Sostenuto "Raindrop" | Frédéric Chopin, Alice Sara Ott | D♭ Major | 0 | 3B | 131 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM |