"Ich Stund An Einem Morgen A 3" by Ludwig Senfl, The Rose Consort Of Viols was released on August 25, 2014. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Serenissima - Music from Renaissance Europe on Venetian Viols". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ich Stund An Einem Morgen A 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich Stund An Einem Morgen A 3 by Ludwig Senfl, The Rose Consort Of Viols having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Dispietata pietate | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Ich stuend an einem Morgen (II), a 3 | Ludwig Senfl, Fretwork | F Major | 0 | 7B | 103 BPM | ||
English Toy | The Royal Wind Music | G Major | 3 | 9B | 103 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
In Nomine No. 1 a 5 | Orlando Gibbons, Berkeley Festival Consort of Viols, The | D Minor | 0 | 7A | 100 BPM | ||
Sir John Souch his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Major | 0 | 9B | 64 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM |