"Alleluia" by Algirdas Martinaitis, Douglas Dodson, South Dakota Chorale, Brian A. Schmidt was released on February 3, 2015. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Sacred Songs of Life & Love". In this album, this song's track order is #10. Alleluia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alleluia by Algirdas Martinaitis, Douglas Dodson, South Dakota Chorale, Brian A. Schmidt having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Whitman Settings: 3. The Last Invocation | The Singers - Minnesota Choral Artists | G Minor | 1 | 6A | 136 BPM | ||
Das ist der Tag des Herrn | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A Major | 1 | 11B | 112 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
Miserere: V. Auditui meo dabis gaudium et laetitiam ; Averte faciem tuam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 172 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): III. Domine Deus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Corpus Christi | Gregorian Chants, Cantori Gregoriani | B Major | 1 | 1B | 75 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 77 BPM | ||
Versa est in luctum | Alonso Lobo, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM |