Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli made "24 Caprichos de Goya, Op. 195: No. 1, Cuaderno Primero: Francisco Goya Y Lucientes, Pintor" available on May 31, 2024. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli's "Mario Castelnuovo-Tedesco: 24 Caprichos de Goya, Op. 195, 3 Preludi al Circeo, Op. 194" album is number 1 out of 27. On top of that, Italy appears to be the country where this track was created. Based on our statistics, 24 Caprichos de Goya, Op. 195: No. 1, Cuaderno Primero: Francisco Goya Y Lucientes, Pintor's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 24 Caprichos de Goya, Op. 195: No. 1, Cuaderno Primero: Francisco Goya Y Lucientes, Pintor by Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli to be Allegro (fast, quick, and bright) because the track has a tempo of 148 テンポ, a half-time of 74テンポ, and a double-time of 296 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musica per Menocchio "For Alberto Mesirca": No. 1, Il Formaggio e i Vermi | Jim ten Boske, Alberto Mesirca | A♭ Major | 0 | 4B | 135 BPM | ||
Keyboard Sonata in D Major, Kk. 178 (Arr. for Guitar by Lovro Peretić) | Domenico Scarlatti, Lovro Peretić | A Major | 1 | 11B | 110 BPM | ||
Se Ela Pergunta | Dilermando Reis, Xuefei Yang | E Minor | 0 | 9A | 138 BPM | ||
Aww Wait! | Bret Williams | D Major | 1 | 10B | 89 BPM | ||
26 Ricercares: No. 2, Ricercare del secondo tono per duro | Vincenzo Galilei, John Oeth | E Minor | 0 | 9A | 60 BPM | ||
Jackson Street | Kevin Callahan | D Minor | 0 | 7A | 94 BPM | ||
24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro! | Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli | G Major | 0 | 9B | 52 BPM | ||
24 Progressive Lessons, Op. 31: No. 13, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Đời Gọi Em Biết Bao Lần | Trần Hoài Phương | B Minor | 2 | 10A | 133 BPM | ||
Toward the Sea: No. 1, The Night | Toru Takemitsu, Irene Kalisvaart, Britta Jacobs | G Major | 2 | 9B | 117 BPM |