Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli's '24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro!' had a release date set for May 31, 2024. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli's "Mario Castelnuovo-Tedesco: 24 Caprichos de Goya, Op. 195, 3 Preludi al Circeo, Op. 194" album is number 9 out of 27. On top of that, Italy appears to be the country where this track was created. 24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 24 Caprichos de Goya, Op. 195: No. 21, Cuaderno Cuarto: Que Pico De Oro! by Mario Castelnuovo-Tedesco, Cristiano Poli Cappelli to be Lento (slowly) because the track has a tempo of 52 テンポ, a half-time of 26テンポ, and a double-time of 104 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Ouverture, Op.61:Andante sostenuto | Mauro Giuliani, CHISSI | A Minor | 0 | 8A | 134 BPM | ||
The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
Un dia de Noviembre | Leo Brouwer, Ricardo Cobo | A Minor | 0 | 8A | 130 BPM | ||
Nocturno | Federico Moreno Torroba, Tilman Hoppstock | A Minor | 1 | 8A | 66 BPM | ||
Theme of Katja (From "Spy Sorge") | Shin’ichirō Ikebe, Shin-ichi Fukuda | D Major | 0 | 10B | 92 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante (Arr. for Guitar by Johan Smith) | Wolfgang Amadeus Mozart, Johan Smith | G Major | 0 | 9B | 107 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 6. El amor y la muerte (Love and death) | Mario Castelnuovo-Tedesco, Zoran Dukic | D Major | 1 | 10B | 68 BPM | ||
Fantasia, Op. 19 | Luigi Legnani, Pavel Steidl | E Major | 1 | 12B | 127 BPM | ||
Rodrigo: Sonata a la española: II. Adagio | Joaquín Rodrigo, Ernesto Bitetti | E Major | 0 | 12B | 77 BPM |