Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Lonny Kellner, Kölner Rundfunkchor's 'Viktoria und ihr Husar, Act I: "Es träumt ein kleines Japanmädel" - "Nur immer Ping-Pong" (O Lia San, Chor)' had a release date set for December 5, 2014. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 40 in Abraham: Viktoria und ihr Husar by Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Willy Schneider, Gitta Lind. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Viktoria und ihr Husar, Act I: "Es träumt ein kleines Japanmädel" - "Nur immer Ping-Pong" (O Lia San, Chor) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Viktoria und ihr Husar, Act I: "Es träumt ein kleines Japanmädel" - "Nur immer Ping-Pong" (O Lia San, Chor) by Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Lonny Kellner, Kölner Rundfunkchor is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viktoria und ihr Husar, Act I: "Ungarnland, Donauland, Heimatland, wie sehn' ich mich nach dir" (Janczi, Riquette) | Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Ruth Zillger | B♭ Major | 3 | 6B | 86 BPM | ||
Varför jag älskar , Op. 2 | Victor Herbert, Gösta Stevens, Axel Astrom, Fritz Stenfelt, Sven Algot Sandberg, Bickvor, Paul Abraham, Oscar Ralf, Adrian Dahl, Johnny Bode, Bronisław Kaper, Michael Christgau- Dardanell, Prins Gustaf, Jussi Björling, Royal Swedish Opera Orchestra, Nils Grevillius | A Minor | 2 | 8A | 88 BPM | ||
Sag' beim Abschied leise Servus | Willi Forst | G Major | 1 | 9B | 78 BPM | ||
Boris Godunov, Act IV: Shtozh, poydyom na golosa, boyare | Modest Mussorgsky, Stuttgart State Opera Chorus, Stuttgart State Orchestra, Lothar Zagrosek | A Major | 1 | 11B | 84 BPM | ||
Chianti-Lied | Rudolf Schock | G Major | 4 | 9B | 140 BPM | ||
GENTLEMAN, I PRAY YOU TELL ME (Remastered 2022) | Gilbert & Sullivan, West End Performers | E♭ Major | 4 | 5B | 127 BPM | ||
Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
Liebling, mein Herz laesst Dich gruessen | Lilian Harvey, Willy Fritsch | D Major | 2 | 10B | 135 BPM | ||
Viktoria und ihr Husar: An der Newa steht ein Haus | Paul Abraham, Margit Schramm, Werner Schmidt-Boelcke | B♭ Major | 3 | 6B | 53 BPM | ||
Blume von Hawaii, Act II: Dialog 11 | Paul Abraham, Großes Orchester Der Ravag, Max Schönherr, Toni Gerhold, Willy Vosmendes, Franz Borsos, Erich Dörner, Hilde Längauer, Gretl Rath | B♭ Major | 1 | 6B | 78 BPM |