Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Ruth Zillger's 'Viktoria und ihr Husar, Act I: "Ungarnland, Donauland, Heimatland, wie sehn' ich mich nach dir" (Janczi, Riquette)' had a release date set for December 5, 2014. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Viktoria und ihr Husar, Act I: "Ungarnland, Donauland, Heimatland, wie sehn' ich mich nach dir" (Janczi, Riquette)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 40 in Abraham: Viktoria und ihr Husar by Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Willy Schneider, Gitta Lind. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Viktoria und ihr Husar, Act I: "Ungarnland, Donauland, Heimatland, wie sehn' ich mich nach dir" (Janczi, Riquette) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viktoria und ihr Husar, Act I: "Ungarnland, Donauland, Heimatland, wie sehn' ich mich nach dir" (Janczi, Riquette) by Paul Abraham, Kölner Rundfunkorchester, Franz Marszalek, Willy Hofmann, Ruth Zillger is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 4 | 7B | 78 BPM | ||
Land der dunklen Wälder | Menskes Chöre | F Major | 3 | 7B | 76 BPM | ||
Jodel-Fox | Lisl Steininger, Franzl Lang | A♭ Major | 2 | 4B | 152 BPM | ||
Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
En skimrande pärla i havet, Op. 46 | Victor Herbert, Gösta Stevens, Axel Astrom, Fritz Stenfelt, Sven Algot Sandberg, Bickvor, Paul Abraham, Oscar Ralf, Adrian Dahl, Johnny Bode, Bronisław Kaper, Michael Christgau- Dardanell, Prins Gustaf, Jussi Björling, Nils Grevillius, Royal Swedish Opera Orchestra | E Major | 1 | 12B | 131 BPM | ||
Blume von Hawaii, Act I: Dialog 1 | Paul Abraham, Großes Orchester Der Ravag, Max Schönherr, Toni Gerhold, Willy Vosmendes, Franz Borsos, Erich Dörner, Hilde Längauer, Gretl Rath | F Major | 1 | 7B | 139 BPM | ||
Heimweh nach dir: Finale (Heimweh nach dir) | Gerhard Wendland, Rudi Schuricke, Margot Hielscher, Film Choir, RIAS Tanzorchester, Werner Müller | E♭ Major | 2 | 5B | 86 BPM | ||
Auf und davon, Polka schnell, Op. 73 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | E♭ Major | 4 | 5B | 171 BPM | ||
Blau Nacht am Hafen | Lale Andersen | A♭ Major | 2 | 4B | 115 BPM | ||
In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM |