"9 Fantasia a 4: VIII. Fantazia in D Minor, Z. 739" by Henry Purcell, The Rose Consort Of Viols was released on July 29, 1997. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Purcell: Fantazias". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 9 Fantasia a 4: VIII. Fantazia in D Minor, Z. 739's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 9 Fantasia a 4: VIII. Fantazia in D Minor, Z. 739 by Henry Purcell, The Rose Consort Of Viols having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 70 BPM | ||
Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" | Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 110 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?" | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM |