"Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales"" by Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1994. The duration of Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" is about 3 minutes long, at 3:12. Based on our data, "Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 34 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #19. Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" by Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo / Act 1: Aria: Venti, turbini | George Frideric Handel, David Daniels, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 106 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas) | Henry Purcell, Emmanuelle Haïm, Camilla Tilling, Ian Bostridge, Le Concert d'Astrée | F♯ Minor | 2 | 11A | 138 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Purcell : King Arthur : Act 5 "Ye blust'ring brethren of the skies" [Bass] | William Christie | B♭ Major | 1 | 6B | 133 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: I. Kyrie | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | D♭ Minor | 0 | 12A | 100 BPM | ||
Dido and Aeneas, Z. 626, Act I: Grief increases by concealing - When Monarchs unite - When could so much virtue spring | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron, Giulia Semenzato | F♯ Minor | 2 | 11A | 72 BPM | ||
Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 8, Duet. "Her Hero to Whose Conduct and Whose Arms" | Henry Purcell, Julia Gooding/James Bowman/Howard Crook/Michael George/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt, David Wilson-Johnson, George Michael, Gustav Leonhardt, Orchestra of the Age of Enlightenment | D♭ Major | 1 | 3B | 148 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) | Christoph Willibald Gluck, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 165 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM |