Christoph Willibald Gluck, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti's 'Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore)' came out on May 18, 2018. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Philippe Jaroussky's "Gluck: Orfeo ed Euridice" album is number 9 out of 32. The popularity of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni .... Sai pur che talora" (Amore) by Christoph Willibald Gluck, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti to be Vivace (lively and fast) because the track has a tempo of 165 テンポ, a half-time of 82テンポ, and a double-time of 330 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |