"Madrigali guerrieri et amorosi: Hor ch'el ciel e la terra" by Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger had its release date on January 1, 2006. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 21 out of 29 in Charpentier, M.-A.: Medee / Monteverdi, C.: Madrigals (Boulanger) (1937, 1953) by Paul Derenne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Madrigali guerrieri et amorosi: Hor ch'el ciel e la terra is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madrigali guerrieri et amorosi: Hor ch'el ciel e la terra by Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Missa Sancti Josephi, ZWV 14: No. 3 Et in terra pax | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 2 | 10A | 89 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Gloria in D, R.589: 2. Et in terra pax | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | B♭ Minor | 1 | 3A | 113 BPM |