Arturo Buzzi-Peccia, Giuseppe Bellantoni, Artist Unknown's 'Lolita, "Spanish Serenade"' came out on September 1, 2014. The duration of Lolita, "Spanish Serenade" is about 3 minutes long, at 3:19. Based on our data, "Lolita, "Spanish Serenade"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giuseppe Bellantoni's "Il mito dell'opera: Giuseppe Bellantoni & Luigi Montesanto" album is number 9 out of 21. In terms of popularity, Lolita, "Spanish Serenade" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lolita, "Spanish Serenade" by Arturo Buzzi-Peccia, Giuseppe Bellantoni, Artist Unknown to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Come Paride vezzoso" | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
L'amour russe | Igor Krutoy, Anna Netrebko, William Ross, Session Orchestra Los Angeles | G Minor | 5 | 6A | 88 BPM | ||
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Plácido Domingo, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | B Minor | 4 | 10A | 84 BPM | ||
Mazurca De Las Sombrillas - Luisa Fernanda (Montilla) | Natalia Lombay, Miguel Sierra, Coros De Radio Nacional De España | B♭ Major | 3 | 6B | 78 BPM | ||
Ideale | Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | A Major | 3 | 11B | 96 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Parlami d'amore Mariu' | Cesare Andrea Bixio, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM |