"Tosca / Act 3: "E lucevan le stelle"" by Giacomo Puccini, Plácido Domingo, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta was released on January 1, 1990. The duration of Tosca / Act 3: "E lucevan le stelle" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Tosca / Act 3: "E lucevan le stelle"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 17 in Carreras Domingo Pavarotti in Concert by Luciano Pavarotti, Plácido Domingo, José Carreras, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta. Tosca / Act 3: "E lucevan le stelle" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tosca / Act 3: "E lucevan le stelle" by Giacomo Puccini, Plácido Domingo, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act I: Questa o quella per me pari sono | Giuseppe Verdi, Alfredo Kraus, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Minor | 2 | 12A | 86 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Piange la madre estinta (Enrico/Lucia/Arturo/Raimondo) | Gaetano Donizetti, Salvatore Cammarano, Valiano Natali, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 89 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Brown / Arr Schifrin: A Tribute to Hollywood Part 4: Singin' in the Rain - Singin' In The Rain | The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 6 | 6B | 140 BPM | ||
Verdi: Aida, Act 1: "Celeste Aida" (Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 79 BPM |