Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel made "Concerto in G Major, S. 213: 1. Allegro (I)" available on January 1, 1993. The duration of Concerto in G Major, S. 213: 1. Allegro (I) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Concerto in G Major, S. 213: 1. Allegro (I)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 20 out of 50. Based on our statistics, Concerto in G Major, S. 213: 1. Allegro (I)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto in G Major, S. 213: 1. Allegro (I) by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Irene Sdegnata: Ouverture: Allegro | Alessandro Marcello, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 72 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Sinfonia di concerto grosso No. 6 in A Minor: V. Allegro | Alessandro Scarlatti, Accademia Della Magnifica Comunità, Enrico Casazza | A♭ Minor | 2 | 1A | 117 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Concerto In D Major, Op.26, No.6: 3. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 109 BPM |