Alessandro Marcello, Venice Baroque Orchestra's 'Irene Sdegnata: Ouverture: Allegro' came out on 1998. With Irene Sdegnata: Ouverture: Allegro being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alessandro Marcello, Venice Baroque Orchestra's "Marcello: Concerto in D minor - Unpublished Concertos and Cantatas" album is number 16 out of 22. Irene Sdegnata: Ouverture: Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Irene Sdegnata: Ouverture: Allegro by Alessandro Marcello, Venice Baroque Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 1. Largo | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 91 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E♭ Minor | 1 | 2A | 104 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Concerto in C Minor for Bassoon, 2 Oboes & Strings - Part. 1 (Fasch) | Johann Friedrich Fasch, Dominic Teresi, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 1 | 10A | 175 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Major | 4 | 4B | 93 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Concerto for Flute and Oboe in G Major, FWV L:G8: I. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | D♭ Major | 3 | 3B | 112 BPM |