"Leise rieselt der Schnee" by Thomanerchor Leipzig, Staatskapelle Dresden, Hans-Joachim Rotzsch, Peter Schreier was released on December 2, 2016. With Leise rieselt der Schnee being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Thomanerchor Leipzig, Dresdner Kreuzchor, Windsbacher Knabenchor's "Morgen kommt der Weihnachtsmann (Weihnachten für Kinder)" album is number 17 out of 26. On top of that, Germany appears to be the country where this track was created. Leise rieselt der Schnee is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leise rieselt der Schnee by Thomanerchor Leipzig, Staatskapelle Dresden, Hans-Joachim Rotzsch, Peter Schreier to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM | ||
Gentle Waves | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Christ lag in Todesbanden, BWV 4: VIII. Verse 7. Wir essen und leben wohl | Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | F Minor | 4 | 4A | 170 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Trio-Sonate In C Major, BWV 529: I. Allegro | Ton Koopman | C Major | 3 | 8B | 66 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VIII. Choral "Amen, komm du schöne Freudenkrone" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM | ||
Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara | Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | E♭ Major | 2 | 5B | 135 BPM | ||
Keyboard Concerto No. 1 in F Major: I. Allegro | Johann Adolf Hasse, Janos Sebestyen | D Major | 2 | 10B | 66 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM |