On November 22, 2010, the song "Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action" was released by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra. Since Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Tchaikovsky: Schwanensee (Highlights)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Die Puppenfee (The Fairy Doll): No. 15 Waltz | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Giulio Franzetti, I Solisti Dell'Orchestra Filarmonica Della Scala, Robert Kettelson, Riccardo Muti | C Minor | 2 | 5A | 193 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 11 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 77 BPM | ||
Music for The Royal Fireworks, HWV351: Bourrée | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | G Major | 6 | 9B | 83 BPM | ||
6 Moments musicaux, Op. 94, D. 780: III. in F Minor | Franz Schubert, Martin Helmchen | F Minor | 0 | 4A | 99 BPM |