Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester's 'Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato' came out on August 26, 2022. The duration of Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato is about 3 minutes long, at 3:12. Based on our data, "Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Recuerdos". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato by Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: III. Allegro | Antonio Vivaldi, Avi Avital, Alon Sariel, Venice Baroque Orchestra | E Minor | 1 | 9A | 109 BPM | ||
Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
Violin Concerto in G Major, Hob.VIIa:4: I. Allegro moderato | Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 1 | 9B | 142 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
12 Fantaisies: No. 10 in D Major, TWV 40:23: Fantasie No. 10 in D Major, TWV 40:23 | Georg Philipp Telemann, Augustin Hadelich | B♭ Major | 3 | 6B | 128 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 108 BPM | ||
The Shape of Water | Renaud Capuçon, Les Siècles, Duncan Ward | A Minor | 1 | 8A | 69 BPM | ||
6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM |