"Symphony No. 1 in D Major "Titan": II. Blumine. Andante allegretto" by Gustav Mahler, Vladimir Jurowski, London Philharmonic Orchestra was released on May 1, 2013. Since Symphony No. 1 in D Major "Titan": II. Blumine. Andante allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Vladimir Jurowski, London Philharmonic Orchestra's "Mahler: Symphony No. 1" album is number 2 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 1 in D Major "Titan": II. Blumine. Andante allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major "Titan": II. Blumine. Andante allegretto by Gustav Mahler, Vladimir Jurowski, London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": Ia. Adagio - Allegro moderato - | Camille Saint-Saëns, Jan Kraybill, Kansas City Symphony, Michael Stern | A♭ Major | 1 | 4B | 114 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
The Planets Suite, Op. 32: II. Venus | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 0 | 4B | 133 BPM | ||
FOR YOU - 『水の旅人-侍 Kids』より | Joe Hisaishi, London Philharmonic Orchestra | D Major | 2 | 10B | 81 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Symphony No. 8 in G Major, Op. 88: I. Allegro con brio | Antonín Dvořák, Sir Charles Mackerras, London Philharmonic Orchestra | A Minor | 1 | 8A | 120 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
Má Vlast (My Fatherland): Vltava (The Moldau River) | London Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM |