Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer's 'Der Vampyr (The Vampire): Act I Scene 8: Trio: Wie? Mein Vater? (Malwina, Aubry, Davenaut, George)' came out on January 1, 2006. Der Vampyr (The Vampire): Act I Scene 8: Trio: Wie? Mein Vater? (Malwina, Aubry, Davenaut, George) is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Heinrich Marschner, Helmut Froschauer's "Marschner, H.A.: Vampire (The) [Opera]" album is number 9 out of 21. Der Vampyr (The Vampire): Act I Scene 8: Trio: Wie? Mein Vater? (Malwina, Aubry, Davenaut, George) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Vampyr (The Vampire): Act I Scene 8: Trio: Wie? Mein Vater? (Malwina, Aubry, Davenaut, George) by Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
Dream Outro | Philip Yoo | A Major | 1 | 11B | 67 BPM | ||
Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Karlovy Vary Symphony Orchestra, Radomil Eliška | B♭ Minor | 1 | 3A | 130 BPM | ||
Der Templer und die Judin, Op. 60: Act II: Ha! Find ich Euch! (Ivanhoe, Chorus, Richard) | Heinrich Marschner, Fritz Sperlbauer, Walter Heinrich, Georg Oeggl, Kurt Equiluz, Kurt Dickl, Leopold Vobruba, Hubert Trattnig, Liane Synek, Anonymous , Vienna Radio Symphony Orchestra, Kurt Tenner | D Major | 2 | 10B | 90 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer | Richard Strauss, Philadelphia Orchestra/Wolfgang Sawallisch, Michael Stairs, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 1 | 8B | 87 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Der Holzdieb: Overture | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 106 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM |