"Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate"" by London Philharmonic Orchestra was released on September 15, 2005. With this song being about 5 minutes long, at 4:59, "Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate"" by London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 99 in the song's album "The 99 Most Essential Classics of the Romantic Era". In this album, this song's track order is #49. Based on our statistics, Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" by London Philharmonic Orchestra having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
Au Fond Du Temple Saint (Les Pècheurs de Perles) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | E♭ Major | 4 | 5B | 93 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: III. Minuet (Old Style) - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | G Minor | 0 | 6A | 95 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Pomp and Circumstance Marches, Op.39: No.1 - March in D Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | D Major | 4 | 10B | 119 BPM |