Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit made "L'Arlésienne Suite No.2: Farandole" available on January 1, 1988. The duration of L'Arlésienne Suite No.2: Farandole is about 3 minutes long, at 3:21. Based on our data, "L'Arlésienne Suite No.2: Farandole" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 19 in Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2 by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit. L'Arlésienne Suite No.2: Farandole is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'Arlésienne Suite No.2: Farandole by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia: Prélude et Mazurka | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 90 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Nicolai: Die lustigen Weiber von Windsor: Ouvertüre | Otto Nicolai, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 71 BPM | ||
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra | C Minor | 1 | 5A | 98 BPM | ||
Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) | Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz | D Major | 3 | 10B | 102 BPM | ||
Overture "Rob Roy" | Hector Berlioz, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 124 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Charles Richard-Hamelin, Orchestre Symphonique de Montréal, Kent Nagano | A♭ Major | 0 | 4B | 140 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM |