"Vocalise-Etude (arr. for violin and piano)" by Gabriel Fauré, Malin Broman, Simon Crawford-Phillips was released on October 1, 2013. The duration of Vocalise-Etude (arr. for violin and piano) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Vocalise-Etude (arr. for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 10 in Fauré: Piano Quartet 1 - Piano Trio by Gabriel Fauré, Kungsbacka Piano Trio, Philip Dukes. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Vocalise-Etude (arr. for violin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vocalise-Etude (arr. for violin and piano) by Gabriel Fauré, Malin Broman, Simon Crawford-Phillips is Lento (slowly), since this song has a tempo of 47 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |