"1812 Overture, Op. 49, TH 49" by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper was released on 1990. 1812 Overture, Op. 49, TH 49 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: 1812 Overture, Op. 49, TH 49". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. 1812 Overture, Op. 49, TH 49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 1812 Overture, Op. 49, TH 49 by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries | Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 3 | 10A | 93 BPM | ||
Adagio in G Minor for Strings and Organ | Remo Giazotto, Ross Pople, London Festival Orchestra | C Minor | 1 | 5A | 82 BPM | ||
14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 88 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 5, Gliding Dance of The Maidens | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 5 | 11B | 86 BPM | ||
Havanaise in E Major, Op. 83 | Camille Saint-Saëns, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes Wildner | E Major | 1 | 12B | 95 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM | ||
Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Major | 0 | 2B | 113 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25b. Pas de quatre: Variation I (Cinderella and Prince)(Waltz) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | C Major | 2 | 8B | 183 BPM | ||
24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4 | Frédéric Chopin, Idil Biret | A Minor | 0 | 8A | 88 BPM |