"24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4" by Frédéric Chopin, Idil Biret was released on June 21, 1996. The duration of 24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 17 in Chopin: Romantic Chopin (The) by Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4 by Frédéric Chopin, Idil Biret is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Lento, ma non troppo | Frédéric Chopin, Vladimir Horowitz | D♭ Major | 6 | 3B | 105 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": II. Andante | Franz Schubert, Christian Tetzlaff, Antonie Tamestit, Marie-Elisabeth Hecker, Alois Posch | A Minor | 0 | 8A | 177 BPM | ||
Années de pèlerinage / 3ème année, S. 163: No. 4 Les jeux d'eau à la Villa d'Este | Franz Liszt, Hélène Grimaud | F♯ Major | 2 | 2B | 81 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Balazs Szokolay | F♯ Major | 1 | 2B | 112 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Nocturne in C-Sharp Minor, B. 49 | Frédéric Chopin, Maria Tipo | F Major | 0 | 7B | 88 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM |