Fritz Wunderlich's 'Ach, wie so herrlich zu schau'n' came out on 2017. The duration of Ach, wie so herrlich zu schau'n is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ach, wie so herrlich zu schau'n's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #2. Ach, wie so herrlich zu schau'n is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ach, wie so herrlich zu schau'n by Fritz Wunderlich having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21c, Rezitativ. "Und gaben ihm Backenstreiche" | Johann Sebastian Bach, Karl Forster, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker | F Minor | 1 | 4A | 59 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 2, Duet with Choir "Herr, höre unser Gebet!" | Felix Mendelssohn, Delphine Collot, Monica Groop, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 1 | 5B | 108 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act I: "Ihr Schmerzen, ihr Tränen" | Wolfgang Amadeus Mozart, Rolf Boysen, Friedrich Lenz, Fritz Wunderlich, Kurt Böhme | G Major | 6 | 9B | 73 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Dichterliebe, Op. 48: IV. Wenn ich in deine Augen seh' | Robert Schumann, Fritz Wunderlich, Hubert Giesen | B♭ Minor | 1 | 3A | 82 BPM |