"Giselle / Act 1: No. 8 Galop Général" by Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon was released on May 15, 2015. The duration of Giselle / Act 1: No. 8 Galop Général is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Giselle / Act 1: No. 8 Galop Général's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon's "Giselle" album is number 18 out of 42. Based on our statistics, Giselle / Act 1: No. 8 Galop Général's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Giselle / Act 1: No. 8 Galop Général by Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 72 BPM | ||
Giselle: Act II: Entree d'Hilarion scene et fugue des Wilis - Grand pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 126 BPM | ||
Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM | ||
Coppelia: Act III - Galop final | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 143 BPM | ||
Coppélia: Galop final | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 3 | 5B | 79 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |