"Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro" by Giuseppe Tartini, Nicola Benedetti, Christian Curnyn was released on January 1, 2011. With this song being about 5 minutes long, at 5:26, "Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro" by Giuseppe Tartini, Nicola Benedetti, Christian Curnyn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nicola Benedetti's "Italia" album is number 7 out of 18. Based on our statistics, Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro by Giuseppe Tartini, Nicola Benedetti, Christian Curnyn to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Freiburger Barockorchester | D♭ Major | 0 | 3B | 65 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
The Hebrides - Overture (Fingal's Cave) Op. 26 | Felix Mendelssohn, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 2 | 7B | 123 BPM |