Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis's ' "Tassilone: "Dal tuo labbro amor m'invita"" was released on its scheduled release date, January 1, 2012. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Tassilone: "Dal tuo labbro amor m'invita"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis's "Mission (Deluxe Version)" album is number 19 out of 27. In terms of popularity, Tassilone: "Dal tuo labbro amor m'invita" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tassilone: "Dal tuo labbro amor m'invita" by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Porto l'alma incenerita: Aria: Porto l'alma incenerita | Agostino Steffani, Pascal Bertin, Fons Musicae | A Minor | 2 | 8A | 92 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Sol negl'occhi del mio bene | Agostino Steffani, Rossana Bertini, Claudio Cavina, Ensemble Arcadia, Attilio Cremonesi | G Minor | 1 | 6A | 107 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM |