Arturo Buzzi-Peccia, Luciano Pavarotti, Andrea Griminelli, Orchestra, Henry Mancini, Unknown Orchestra made "Lolita" available on January 1, 1984. The duration of Lolita is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Lolita's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luciano Pavarotti, Unknown Orchestra, Henry Mancini's "Mamma" album is number 3 out of 16. Lolita is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lolita by Arturo Buzzi-Peccia, Luciano Pavarotti, Andrea Griminelli, Orchestra, Henry Mancini, Unknown Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より) | スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグ | D Major | 1 | 10B | 80 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Carmen, WD 31 / Act IV: "Les voici! Voici la quadrille" | Georges Bizet, Metropolitan Opera Orchestra, Leonard Bernstein, The Manhattan Opera Chorus, John Mauceri | C Major | 1 | 8B | 71 BPM | ||
Lolita (Arr. Schifrin) - Live | Arturo Buzzi-Peccia, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | D Major | 3 | 10B | 135 BPM | ||
Il Trovatore / Act 3: Il Trovatore / Act 3: "Di quella pira" - Live At Central Park, New York / 2011 | Andrea Bocelli, New York Philharmonic, Alan Gilbert | C Major | 5 | 8B | 160 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Torna a Surriento | Giambattista De Curtis, Ernesto de Curtis, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM |