Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Kathleen Battle, Agnes Baltsa, Gösta Winbergh, Alexander Malta, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?"' came out on January 1, 1986. Since Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Don Giovanni" album is number 16 out of 66. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Kathleen Battle, Agnes Baltsa, Gösta Winbergh, Alexander Malta, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 1: Duettino - Cinque, Dieci... | Donato Di Stefano, Jozsef Mukk, Maria Pia Ionata, Natale de Carolis, Ingrid Kertesi, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 114 BPM | ||
Messa di Requiem, Dies irae: Liber scriptus - Dies irae | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | G Major | 1 | 9B | 165 BPM | ||
Parsifal / Act 1: "Recht so! Habt Dank! Ein wenig Rast!" - "Gawan! - Herr! Gawan weilte nicht!" | Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 77 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu Andrai | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 2 | 9B | 127 BPM | ||
Die Walküre, WWV 86B / Act III: Feuerzauber | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 77 BPM | ||
La Bohème / Act 4: "C'è Mimì..." | Giacomo Puccini, Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 77 BPM | ||
Te Deum, WAB 45: 4. Salvum fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 89 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Nur wer der Minne Macht entsagt" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
Giulio Cesare in Egitto, HWV 17, Act III: "E pur cosi / Piangerò la sorte mia" | George Frideric Handel, Kathleen Battle, Margo Garrett | E Major | 0 | 12B | 71 BPM |