"Hassan, DCW 8, Act 2 Scene 1: No. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly" by Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips was released on March 29, 2024. The duration of Hassan, DCW 8, Act 2 Scene 1: No. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Hassan, DCW 8, Act 2 Scene 1: No. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Delius: Hassan, DCW 8, Act 2: No. 2, Chorus of Women and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hassan, DCW 8, Act 2 Scene 1: No. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hassan, DCW 8, Act 2 Scene 1: No. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly by Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
4 Sketches, Op. 15: III. Dreaming | Amy Beach, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 93 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM |