Wim Statius Muller, Louise Bessette's 'Antillean Dances, Op. 2: No. 3. Tristeza, Waltz' came out on October 29, 2021. The duration of Antillean Dances, Op. 2: No. 3. Tristeza, Waltz is about 3 minutes long, at 3:09. Based on our data, "Antillean Dances, Op. 2: No. 3. Tristeza, Waltz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wim Statius Muller: Antillean Dances – Port-of-call: Curaçao by Wim Statius Muller, Louise Bessette. The song's track number on the album is #3 out of 22 tracks. Antillean Dances, Op. 2: No. 3. Tristeza, Waltz is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Antillean Dances, Op. 2: No. 3. Tristeza, Waltz by Wim Statius Muller, Louise Bessette has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Antillean Dances, Op. 2: No. 3. Tristeza, Waltz being at 73 テンポ, the half-time would be 36 テンポ with a double-time of 146 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en la: la Triomphante | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Last Call | Anthony Rozankovic, Louise Bessette | D♭ Major | 0 | 3B | 141 BPM | ||
Prelude Number 2 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Canon in D: Canon in D | Johann Pachelbel, Guoda Gedvilaitė | D Major | 1 | 10B | 113 BPM | ||
Cantéyodjayâ | Louise Bessette, Olivier Messiaen | A♭ Major | 2 | 4B | 77 BPM | ||
Le merle noir | Olivier Messiaen, Lise Daoust, Louise Bessette | C Major | 0 | 8B | 62 BPM | ||
Suite in B-Flat Major, HWV 434: III. Aria Con variazioni | George Frideric Handel, Ragna Schirmer | D Minor | 0 | 7A | 176 BPM | ||
Providence | Anthony Rozankovic, Louise Bessette | C Major | 0 | 8B | 66 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 9, Nils Rekves Halling. Maestoso | Edvard Grieg, Rune Alver | F♯ Minor | 0 | 11A | 82 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM |