On 2012, the song "Suite en la: la Triomphante" was released by Jean-Philippe Rameau, Natacha Kudritskaya. With Suite en la: la Triomphante being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rameau: Suite en ré & Suite en la". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Suite en la: la Triomphante is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite en la: la Triomphante by Jean-Philippe Rameau, Natacha Kudritskaya having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | C Minor | 3 | 5A | 76 BPM | ||
Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | ||
La De Belombre, Vivement | Jacques Duphly, Elisabeth Joyé | C Minor | 4 | 5A | 113 BPM | ||
Ground in C Minor, Z. 221 | Henry Purcell, Вадим Холоденко | B♭ Minor | 4 | 3A | 157 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Kleine Präludien: No.5 in F Major, BWV 928 | Inge Rosar | F♯ Major | 6 | 2B | 143 BPM | ||
Content Thyself | Marco Bellucci | A♭ Minor | 2 | 1A | 94 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Suite No. 4 in E Minor, HWV 429: IV. Sarabande | George Frideric Handel, Dina Ugorskaja | E Minor | 0 | 9A | 135 BPM |