"Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai" by Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra was released on January 1, 1980. Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai appears to be safe for all ages as it is not explicit. The track order of this song in Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra's "Haydn: Symphonies Nos 94 "Surprise" & 104 "London"" album is number 1 out of 8. In terms of popularity, Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai by Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trout Quintet: Finale | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Mass No. 5 in E-Flat Major, Hob. XXII:4, "Missa in honorem BVM", "Missa Sancti Josephi", "Grosse Orgelsolomesse": Agnus Dei | Joseph Haydn, Ann Hoyt, Luthien Brackett, Stephen Sands, Richard Lippold, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 90 BPM | ||
Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 136 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Symphony No. 98 in B-Flat Major, Hob.I:98: II. Adagio | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | E Major | 1 | 12B | 131 BPM | ||
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM |