Handel & Haydn Society's 'Part The First: Aria: Ev'ry Valley Shall Be Exalted - Aria: Ev'ry Valley Shall Be Exalted' came out on January 1, 2006. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Handel & Haydn Society's "Handel Arr. Mozart: Messiah" album is number 3 out of 52. In terms of popularity, Part The First: Aria: Ev'ry Valley Shall Be Exalted - Aria: Ev'ry Valley Shall Be Exalted is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Part The First: Aria: Ev'ry Valley Shall Be Exalted - Aria: Ev'ry Valley Shall Be Exalted by Handel & Haydn Society to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM | ||
Dixit Dominus, HWV 232: 4. Juravit Dominus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | F♯ Minor | 2 | 11A | 116 BPM | ||
From Samson (Act I): Sinfonia, HWV 57: I. Andante - Adagio | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
Symphony in F Major, Op. 2 No. 4 "Shepherd's Lottery": III. Gavot: allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 153 BPM | ||
Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" | Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard | A Minor | 0 | 8A | 79 BPM | ||
Part The First: Chorus: Glory To God In The Highest - Chorus: Glory To God In The Highest | Handel & Haydn Society | D Major | 1 | 10B | 103 BPM | ||
Concertino in D Major: I. Larghetto | Michael Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | D Major | 0 | 10B | 128 BPM | ||
Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: II. Air en rondeau pour les amours. Gracieusement | Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 0 | 11B | 108 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Burkhard Glaetzner, Christine Schornsheim, New Bach Collegium Musicum Leipzig, Max Pommer | D Minor | 1 | 7A | 139 BPM |