Carl Philipp Emanuel Bach, Ana-Marija Markovina's 'キーboard Sonata in D Major, Wq. 54/5, H. 185: II. Andante' came out on April 29, 2014. The duration of キーboard Sonata in D Major, Wq. 54/5, H. 185: II. Andante is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. キーboard Sonata in D Major, Wq. 54/5, H. 185: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 40 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 7 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. キーboard Sonata in D Major, Wq. 54/5, H. 185: II. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of キーboard Sonata in D Major, Wq. 54/5, H. 185: II. Andante by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Sonata No. 5 in C Major: 2. Allegro | Baldassare Galuppi, Arturo Benedetti Michelangeli | G Major | 1 | 9B | 93 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Suite en Sol: L'Indifférente | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 1 | 6A | 69 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
For Children, Vol. 3, Sz. 42 (Excerpts) [Original Version]: No. 47, Bird of Flight. Molto andante | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
Piano Sonata No. 32 in G minor, Hob. XVI: 44: I. Moderato | Haydn, Daria van den Bercken | G Minor | 0 | 6A | 71 BPM | ||
Cello Sonata in E Minor, Op. 14, No. 5, RV 40: IV. Allegro (Arr. L. Dallapiccola for cello and piano) | Antonio Vivaldi, Martin Rummel, Till Alexander Körber | E Minor | 3 | 9A | 113 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor | D Major | 2 | 10B | 167 BPM |