Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne's 'Manuscrit Panmure: Allemande in D Minor' came out on January 26, 2024. The duration of Manuscrit Panmure: Allemande in D Minor is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Manuscrit Panmure: Allemande in D Minor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Noémie Lenhof's "Marin Marais - Le Manuscrit Retrouvé" album is number 2 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Manuscrit Panmure: Allemande in D Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manuscrit Panmure: Allemande in D Minor by Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Prelude Feuer | Marthe Perl, Hille Perl | D♭ Major | 0 | 3B | 107 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Guitar Sonata No. 16 in E Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Armide, LWV 71, Prologue: Entrée (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
Cumbees - Ensemble Edit | Santiago De Murcia, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | F♯ Major | 2 | 2B | 110 BPM | ||
Guitar Sonata No. 9 in C Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM |