"Clarinet Quintet in B Minor, Op. 115: IV. Con moto" by Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen was released on July 1, 2014. Since Clarinet Quintet in B Minor, Op. 115: IV. Con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 14 in Brahms: Clarinet Quintet, Trio in A Minor & 6 Songs by Johannes Brahms, Martin Fröst. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Clarinet Quintet in B Minor, Op. 115: IV. Con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clarinet Quintet in B Minor, Op. 115: IV. Con moto by Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Préludes, Op. 23: No. 1. Largo in F-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Minor | 0 | 11A | 73 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
Oblivion | Astor Piazzolla, Martin Fröst, Richard Tognetti, Australian Chamber Orchestra | C Minor | 0 | 5A | 85 BPM | ||
Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Maurice Ravel, Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy | C Major | 1 | 8B | 86 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 2 in G Minor for solo violin, RV315 "L'Estate": 1. Allegro non molto | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | G Minor | 2 | 6A | 151 BPM | ||
Sonata For Violin And Piano In A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Itzhak Perlman, Vladimir Ashkenazy | G Minor | 2 | 6A | 142 BPM | ||
Introduction, Theme and Variations on a Swedish Air, Op. 124: Var. III | Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek | B♭ Major | 2 | 6B | 82 BPM | ||
Clarinet Concerto: I. Slowly and expressively - Cadenza | Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti | C Major | 0 | 8B | 168 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 1 in E Major for solo violin, RV269 "La Primavera": 2. Largo | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | A Major | 1 | 11B | 90 BPM | ||
Concerto for Violin and Cello in A minor, Op. 102: 3. Vivace non troppo - Poco meno allegro - Tempo I | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 81 BPM |