On June 30, 1997, the song "Introduction, Theme and Variations on a Swedish Air, Op. 124: Var. III" was released by Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek. With Introduction, Theme and Variations on a Swedish Air, Op. 124: Var. III being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek's "Larsson Gothe: Hekas!" album is number 5 out of 12. On top of that, Sweden appears to be the country where this track was created. Introduction, Theme and Variations on a Swedish Air, Op. 124: Var. III is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Introduction, Theme and Variations on a Swedish Air, Op. 124: Var. III by Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Symphony in D Major, Bryan D2: IV. Allegro | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 126 BPM | ||
Symphony No.3 In E Flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 110 BPM | ||
Concerto in F Minor, Op. 5 "Grand": I. Allegro | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | F Minor | 1 | 4A | 131 BPM | ||
Sonata for Violin and Piano in A: 4. Allegretto poco mosso | César Franck, Kaja Danczowska, Krystian Zimerman | E Major | 0 | 12B | 87 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Viola Concerto in B-Flat Major: III. Rondo: Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | B♭ Major | 1 | 6B | 79 BPM |