"Harald der Wiking: Act III: Uber den Hugeln schwebt" by Andreas Hallén, Margaretha Meyerson, Solweig Lindstrom, Ake Ljungholm, Sten Sjostedt, Kurt Jacobsson, Malmö Symphony Orchestra, Stig Rybrant had its release date on March 1, 2012. This song appears to be safe for all ages as it is not explicit. The track order of this song in Andreas Hallén, Various Artists, Hans-Peter Frank, Stig Rybrant's "Hallén: Harald Viking - Toteninsel - Schwedische Rhapsodie Nr.2" album is number 4 out of 8. Based on our statistics, Harald der Wiking: Act III: Uber den Hugeln schwebt's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harald der Wiking: Act III: Uber den Hugeln schwebt by Andreas Hallén, Margaretha Meyerson, Solweig Lindstrom, Ake Ljungholm, Sten Sjostedt, Kurt Jacobsson, Malmö Symphony Orchestra, Stig Rybrant to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo. Vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Piers Lane | A Minor | 1 | 8A | 75 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 15, Petit adage | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Masques et Bergamasques, Op. 112: I. Ouverture | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
美夢第一! | HOYO-MiX | E Major | 7 | 12B | 140 BPM |