"Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557)" by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Jordi Savall, Sergi Casademunt, Eunice Brandao, Lorenz Duftschmid, Rolf Lislevand was released on 2012. The duration of Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557) by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Jordi Savall, Sergi Casademunt, Eunice Brandao, Lorenz Duftschmid, Rolf Lislevand is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tant que vivray | Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 72 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Scene 4: Ballo ("Il cavalier di Spagna" by Magistro Rofino) | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 116 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Lovely Selina | John Blow, Catherine Bott, Paula Chateauneuf, Mark Levy | F♯ Major | 0 | 2B | 128 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM |