Johan Helmich Roman, Drottningholmsteaterns Kammarorkester/Ulf Björlin's 'Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version' came out on 1989. With this song being about 5 minutes long, at 4:49, "Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version" by Johan Helmich Roman, Drottningholmsteaterns Kammarorkester/Ulf Björlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 19 in Encore: Drottningholmsmusiken by Johan Helmich Roman, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Drottningholmsmusiken: Nr. 1: Allegro Assai/Nr. 4: Allegro Non Troppo - 1998 Remastered Version by Johan Helmich Roman, Drottningholmsteaterns Kammarorkester/Ulf Björlin is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM | ||
Flute Sonata III in C Minor, BeRI 203: V. Alla francese | Johan Helmich Roman, Musica ad Rhenum, Jed Wentz, Job Ter Haar, Michael Borgstede | C Major | 1 | 8B | 84 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Oboe Concerto in G Minor, Op. 9 No. 8: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B♭ Major | 3 | 6B | 115 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: III. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | E♭ Minor | 2 | 2A | 77 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II | Johann Sebastian Bach, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM |